Five Academy Awards
Gladiator won five Oscars in 2001, including Best Picture and Best Actor for Russell Crowe.

What we do in life echoes in eternity.
After the death of Emperor Marcus Aurelius, his devious son takes power and demotes Maximus, one of Rome's most capable generals who Marcus preferred. Eventually, Maximus is forced to become a gladiator and battle to the death against other men for the amusement of paying audiences.
Why it's in the Vault
Gladiator is monumental cinema: a sweeping, emotionally devastating epic that combines the grandeur of ancient Rome with an intensely personal story of grief, loyalty and revenge. Russell Crowe gives Maximus a rare mixture of physical strength, quiet dignity and profound vulnerability, making him one of the defining heroes of modern historical cinema. Joaquin Phoenix is equally unforgettable as Commodus, a deeply insecure and terrifying emperor whose cruelty grows out of his desperate need for love and recognition. Ridley Scott's direction transforms battles and gladiatorial combat into overwhelming spectacles without losing sight of the human tragedy beneath them. And then there is the music. Hans Zimmer's thunderous orchestration and Lisa Gerrard's haunting vocals elevate the film into something almost mythical, carrying its sorrow and hope far beyond the dialogue. Few blockbusters achieve such a balance of spectacle, emotion and musical beauty. A genuine modern masterpiece, worthy of every moment of its legendary reputation.
— Matty, Curator of the Vault
Atmosphere
Contains graphic battle and arena violence, blood, executions, slavery, murder, threats to family members, grief and emotionally intense themes.
Dans les coulisses
Gladiator won five Oscars in 2001, including Best Picture and Best Actor for Russell Crowe.
The actor died during production, and the filmmakers used digital techniques and a body double to complete some remaining scenes involving Proximo.
The production built a substantial partial replica of the Colosseum in Malta, extending the structure digitally for wide shots.
Hans Zimmer composed the score with Lisa Gerrard, whose distinctive wordless vocals became inseparable from the film's emotional identity.
Jean-Léon Gérôme's painting Pollice Verso helped inspire the project's original concept and its vision of gladiatorial spectacle.
Maximus and the central revenge plot are fictional, while Marcus Aurelius, Commodus and Lucilla were historical figures.
Aux origines
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