Natalie Portman's Debut
The film marks Natalie Portman's feature-film debut as Mathilda; she later became internationally known for playing Padmé Amidala in Star Wars.

If you want the job done right, hire a professional.
Léon, the top hit man in New York, has earned a rep as an effective "cleaner". But when his next-door neighbors are wiped out by a loose-cannon DEA agent, he becomes the unwilling custodian of 12-year-old Mathilda. Before long, Mathilda's thoughts turn to revenge, and she considers following in Léon's footsteps.
Why it's in the Vault
Léon: The Professional is one of those rare films that feels essential to experience at least once in a lifetime. Luc Besson blends a stylish crime thriller with an unexpectedly moving story about loneliness, trust and the fragile bond between two outsiders. Jean Reno is magnificent as Léon, giving a seemingly emotionless hitman extraordinary tenderness through restrained gestures and quiet expressions. Natalie Portman is equally remarkable in her astonishing feature-film debut, bringing intelligence, vulnerability and fierce determination to Mathilda. Gary Oldman's terrifyingly unpredictable performance adds another unforgettable dimension. Yet beyond the action and the performances, what truly elevates the film is its emotional impact. The final act is devastating, and Sting's Shape of My Heart leaves the story echoing long after the credits begin. An absolute favorite, carried by extraordinary acting and an ending that is almost impossible to forget.
— Matty, Curator of the Vault
Atmosphere
Contains strong gun violence, killings, blood, threats against a child, corrupt police officers, grief and disturbing situations involving a minor. Some scenes portray an uncomfortable ambiguity in the relationship between the adult protagonist and the young girl.
Dans les coulisses
The film marks Natalie Portman's feature-film debut as Mathilda; she later became internationally known for playing Padmé Amidala in Star Wars.
Reno portrays Léon through sparse dialogue, physical restraint and a vulnerability that contrasts with his profession.
Oldman plays Norman Stansfield, a corrupt DEA agent whose explosive behavior makes him one of the film's most memorable villains.
Léon's potted plant becomes a recurring symbol of his rootless existence and the possibility of belonging.
The longer version contains additional scenes exploring Léon and Mathilda's daily lives and their troubling relationship dynamics.
Shape of My Heart, from Sting's 1993 album Ten Summoner's Tales, accompanies the film's ending and became closely associated with it.
Aux origines
Palette
Images