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MovieCorpse Bride
GemOscar Nominee - Animated Feature Film :: Mike Johnson and Tim Burton :: 2006

Corpse Bride

L'oeuvre de Tim Burton : La mariée cadavérique

Un malentendu fatal.

20051h15Tim Burton, Mike Johnson7.6 / 10 (10,229 votes)

À la suite d'un malentendu, un jeune homme se retrouve malgré lui fiancé à un spectre féminin qui l'emmène dans l'au-delà.

Why it's in the Vault

Corpse Bride is one of those films I enjoy as much for the world it creates as for the story itself. I love its gothic look, its strange tenderness and the contrast between the lifeless world of the living and the wonderfully colorful land of the dead. The story works and there are moments I genuinely love, but the rhythm feels uneven to me: it can lose my attention before pulling me back in again. Still, its atmosphere and visual identity are distinctive enough that I am always happy to return to it.

— Matty, Curator of the Vault*

Atmosphere

Gothic, melancholic, whimsical, romantic, macabre

Gothic romanceStop motionAfterlifeMelancholyDark fairy taleMacabre whimsy
Gothic atmosphere
Melancholy
Macabre playfulness
Romance

Contains death, skeletons, corpses, mild supernatural peril and macabre imagery presented in a stylized fairy-tale manner.

Dans les coulisses

Ce qu'on ne voit pas à l'écran

01

Mostly True Stop Motion

Digital effects were used sparingly for elements such as fog, fire, butterflies and occasionally Emily's veil, while the characters and their facial performances remained genuine stop-motion animation.

02

Victor Lost His Song

Danny Elfman originally wrote a vocal song for Victor, but it was removed when the film was becoming too long, before Johnny Depp had recorded the vocals.

03

Songs Before Animation

Elfman's songs had to be completed before their sequences could be animated, with the filmmakers then adjusting storyboards and animation around the finished music.

04

A Painful Bonejangles

Elfman ultimately performed Bonejangles himself in Remains of the Day. The deliberately rough voice was so demanding that he could record for only short periods before resting it.

05

A Different World for the Dead

The film deliberately reverses expectations: the Victorian world of the living is drained and restrained, while the underworld is energetic, musical and visually exuberant.

Palette

Les couleurs du film

Corpse Blue#7397A5
Moonlit Grey#899398
Victorian Charcoal#37393C
Underworld Green#718B62
Candle Gold#C49A58
Faded Violet#78677D