A New Director at Hogwarts
Mike Newell became the first British director to direct a Harry Potter film.

Dark and difficult times lie ahead.
When his name emerges from the Goblet of Fire, Harry Potter becomes a competitor in a grueling battle for glory among three wizarding schools. Signs of Voldemort's return emerge as Harry's friends help him prepare for the Triwizard Tournament.
Why it's in the Vault
Harry Potter and the Goblet of Fire marks a spectacular turning point in the wizarding saga, combining the wonder of Hogwarts with a growing sense of danger and the first truly devastating consequences of the conflict ahead. Mike Newell transforms the Triwizard Tournament into a succession of memorable challenges, from the terrifying Hungarian Horntail to the mysterious depths of the Black Lake and the unsettling maze. The arrival of rival magical schools, the excitement of the Yule Ball and the awkwardness of teenage friendships give the adventure a lively, distinctive personality. Yet beneath its colorful spectacle, the film steadily builds an atmosphere of unease, culminating in a final act that changes the series forever. Patrick Doyle's sweeping score supports both the grandeur of the tournament and the emotional weight of its darker moments, while the production design remains wonderfully imaginative. The adaptation inevitably compresses much of J. K. Rowling's sprawling novel, leaving certain mysteries and secondary characters underdeveloped, and some tonal transitions can feel abrupt. Nevertheless, its exceptional set pieces, memorable atmosphere and powerful dramatic shift make this one of the saga's most captivating and essential chapters.
— Matty, Curator of the Vault
Atmosphere
Contains frightening magical creatures, perilous competitions, violence, blood, a character's death, disturbing graveyard imagery and the return of a threatening villain. More intense than the earlier films.
Dans les coulisses
Mike Newell became the first British director to direct a Harry Potter film.
The Hungarian Horntail sequence was substantially expanded for the film, turning the first tournament task into an extended aerial chase.
Daniel Radcliffe trained for underwater scenes, with filming in a specially constructed tank at Leavesden Studios.
Members of Radiohead and Pulp appear as musicians in the wizarding band performing at the Yule Ball.
The film marks Fiennes's first full appearance as the Dark Lord, with extensive prosthetic makeup transforming his face.
Dobby's important role in the novel's second task was reassigned to Neville Longbottom in the film.
Aux origines
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2001

2002

2004

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2007

2009

2010