A Return After Sixteen Years
The film marked the first new theatrical Star Wars installment since Return of the Jedi in 1983.

Every saga has a beginning.
Anakin Skywalker, a young slave strong with the Force, is discovered on Tatooine. Meanwhile, the evil Sith have returned, enacting their plot for revenge against the Jedi.
Why it's in the Vault
The Phantom Menace opens the Star Wars prequel trilogy with an ambitious expansion of George Lucas's galaxy, introducing new planets, political tensions and a younger generation of characters whose destinies will shape the saga. From the underwater cities of Naboo to the desert landscapes of Tatooine, the film embraces a colorful and imaginative visual universe that feels distinctly different from the original trilogy. The spectacular podrace, the imposing presence of Darth Maul and the lightsaber confrontations bring an energy and scale that remain among its greatest strengths. John Williams delivers another extraordinary score, with Duel of the Fates giving the film a powerful musical identity. The political exposition can be cumbersome, some dialogue lacks naturalness and Jar Jar Binks's broad comedy occasionally clashes with the more serious elements. Nevertheless, its creative ambition, memorable action sequences and sense of discovery make it a rewarding space adventure whose distinctive personality deserves appreciation beyond the controversies surrounding its release.
— Matty, Curator of the Vault
Atmosphere
Contains science-fiction battles, lightsaber violence, explosions, threatening creatures, a character's death and scenes of danger involving children.
Dans les coulisses
The film marked the first new theatrical Star Wars installment since Return of the Jedi in 1983.
Ray Park performed the character's physical role, while Peter Serafinowicz supplied his original English voice.
Ben Burtt created distinctive engine sounds using recordings and inventive sound combinations.
Jar Jar Binks, performed by Ahmed Best, became an early prominent example of a fully computer-generated supporting character.
John Williams incorporated Sanskrit-inspired choral lyrics adapted from an ancient Welsh poem translated into Sanskrit.
Selected screenings used digital projection, anticipating a major shift in theatrical exhibition.
Aux origines
Palette
Images